Hem
Back


Wall Painting


Paintings from the 15th and 16th centuries
Kerstin Sinha, Ljusdalsbygdens Museum

We do not know much about how people decorated their houses in Hälsingland in the Middle Ages, but archives show that painted and woven wall hangings were used in all the Nordic countries. The earliest written evidence of this type of decoration in Hälsingland concerns Delsbo, where a new priest arrived in 1457. Everything he took over from the old one was written down – everything from the farm animals to agricultural and household equipment. Among these was an "Olde Tapestrie". In spite of the fact that it was old – already in 1457 – it was valued at 12 marks, twice the value of a horse and the most expensive item on the inventory list.

We do not know what that hanging looked like, and we don't even know if it was woven or painted. From the 16th century, however, painted wall hangings have been preserved.

Several of these were found during repairs to the Hans-Ersgården farm in Alfta in 1964: over a dozen pieces of painted weave of varying sizes, amounting to about 80 square metres, which had been stitched together and placed inside a ceiling to stop the flax-scrap insulation spilling onto the storey below.

 

 

One of them tells the Biblical story of Esther, a beautiful young Jewess who was married off to King Ahasverus (Xerxes, d. 485 B.C.) during the imprisonment of the Jews in Babylon, and who managed to prevent the persecution of her people. Read more of this lively story in the Old Testament Book of Esther!



The painting is not dated, but Esther and her entourage have all been painted wearing the type of clothing which was in fashion at the Swedish Court in the late-16th century, with leg-of-mutton sleeves and doublet and hose. Since the painters were conscientious about detail, the painting can be dated to that period. If you turn it over, however, you can see that the weave has been re-used: the back is filled with two decorative patterns, probably from the late 15th century, apart from in one corner where a small Adam and Eve have been depicted.

How all of these 15th-17th century paintings got into the ceiling of a farm in Alfta is a real detective story requiring more and wider research.

That there were many painters in Hälsingland at this time is clear from all the painters' names (below) which Jan Lundell at the Hälsingland Museum has found during years of digging into the history of Hälsingland.

 

 

Old Hälsingland Painters
Håkon Gullesson
  Fläcka Enånger 1500
Måns Gadd
  Näset Hälsingtuna 1556
Mårten Larson Alfta 1558
Sven Larson
  Fiskeby Hälsingtuna 1565
P Målare Häggesta Bollnäs 1565
Jon Målare Säversta Bollnäs 1565
Lasse Målare Berge Rogsta 1569
Nils Målare Röste Bollnäs 1570
"M O" 1570
Michill Målare Nansta Forsa 1576
Peder Gudmundsson
 Säversta Bollnäs 1582
Joen Målare Bollnäs 1585
Peer Målare Born Bollnäs 1586
Nils Pedersson Hudiksvall 1592
Olof Siulsson Hudiksvall 1592
Mårten Olofsson Delsbo? 1598
Lasse Målare Ilsbo 1599
Jonn Målare Ölsund Forsa 1599
Jonas Olai? ? 1601
Henrik Målare Hudiksvall 1601


When the Hälsingland painter Måns Gadd painted Old Forsa Church in the early 16th century, he signed his work with this mark.

Anders Målare Hudiksvall 1610
Gulich Mårtensson Berglock Forsa 16..
Gulich Mårtensson Hudiksall 1604
Henrik Målare Bergsjö 1634
Per Eriksson Forsa? 1652
Anders Målare Delsbo 1650
Måns Målare Söderhamn 1653
Henrik Målare Seffersson Hudiksvall 1690

 

 

Back      To top of page